sccucci manucci once again proves its dancefloor chops with its fifth release, the cinquemila lire ep, which sees the london based imprint curl its moustache in the direction of deep house. manchester based duo toyboy & robin open proceedings with >no more sunshine<, an insouciant mix of soulful vocals, shuffling garage percussion and burning deep house organ stabs. it is a heady, intoxicating mix, and it is one that is matched on the a-side by sahin meyers effort, the husband and wife duo turn in the gorgeous >spread love<, a cut that wrings every last drop of emotion out of a classic, drummy arrangement. flip over for >saif< by illyus, a twinkling late night excursion into melodic, star gazing house, and >feel love< by firas, one half of the waze & odyssey, who rounds off another killer sccucci 12-inch with raw-thentic smacky beats and an addictive loopy vocal and bassline.

breaks and hip-hop producer ninelives the cat comes through with this nagging slice of solid production and catchy vocals in the form of >lalala<. the chorus hook will claw into your head like the feline in control, while the choppy funk licks that make up the beat will find a comfortable home on dancefloors all over. on the remix tip, funkanomics bring an uptempo 80s flavour with filtered guitars and brash drum machine beats, while dj alias does a more subtle turn in tightening up the groove of the original. will styles rounds things off with an electro-indebted workout full of chunky synths and club-ready construction.

the gold spiders project is a breath of fresh air on the russian deep house scene. those guys indeed know what harmony and lyrics are, and, nevertheless, what is instrumental fulfillment of a good composition. with a great deal of impatience we want to share with you things that really excite us, things that make us admire. we are truly glad having you as an owner of this vinyl. we hope that you will enjoy the whole color range of emotions that were put into this release.just turn it on!

micatone come off with a true masterpiece of sophisticated pop with their new and fifth album >wish i was here< (released in march 2012). not only the music press and feuilletons but also old devoted and newly found fans agree: micatone never sounded better before. the second offspring off the album is a 2-tracker with two very special remixes. label mate stee downes takes on >sweet pain< as if it was his own track and kicks out a vivacious deep house stormer. there is no doubt that this remix will be in every bag of those djs that put some more emotions on the floor. the second remix was orderd in italy - in bologna to be exact. keemani and alex ferratti just started their new project blue mondays and now – with their rework of >just a boy< – promisingly launch their career to become the next in-demand remixers. they dont just lay a vocal track over a pre-programed beat, but use all of their devotion, accuracy and finesse to turn an already astonishing pop song into an anthem for everlasting nights. it is like preparing the perfect sugo: simmer exquisite ingedients for days until your mouth is watering. perfetto!

after the silent state 12inch and neurotransmitting clouds on a secret freeway, a contribution to our and suddenly its morning labelcompilation, stl is back on smallville with a full ep. three outstanding tracks that got everything we adore about him!

the production outfit of daniel varga, michael kuebler and sascha hedgehog, earned their dance music stripes around the turn of the millennium with a series of strong releases, most notably on frankfurt-based techno institution playhouse. describing their musical aesthetic as cabaret-independent-house, the act forged a distinct sound that combines icy minimal structures with catchy euro-girl vocals, anglo-french funk antics and a dash of dancefloor melancholy. this summer, rework return to the fray with a two-sided affair for paris-based meant records that shows they have not lost the electric energy that characterised their earlier work.

still in its infancy, swiss dj and producer rippertons personal imprint tamed musiq returns with its fourth offering in the form of, lets hope. maintaining the tradition of the labels previous releases, ripperton once again takes us on a journey of epic length, one that masterfully builds, swells and diminishes, as we make our way through a flurry of playful piano hooks, subtle synths and deep bass drops.the flipside comes courtesy of the hottest property in house right now, bicep, who continue turn on the charm with another deep and seductive, on-point dance floor bomb.

dear you, so why am i starting a label? i guess i am trying to centralize my output. give it all some kind of unity. my friend jon berry (who works at kompakt and is running the label with me) has been bugging me for ages to do it and now seems the time. i ve had a great run thus far with all my buddy s labels, and i dont think i will stop as long as they still want me. but for the time being it made sense somehow that i do my own thing. give it a name - maybe tomorrow - and a face - vinyl.

in 2011 it got a little quiet around the co-productions of fraenzen texas and ruede hagelstein aka the cheapers. but since the beginning of the new year the lights dont go out in their studio doing beats and sound. next to releases on areal records and bar25 the uy063 was born. title of the name giving a-side goes back on a quote from paris hilton who wants to tell with >amazeballs< how super cool she finds things. anyway the two artists made it real with their concise bassline which will make the people reliably squeak more than hobby djane hilton. on the b-side things turn a bit more severe: egyptian summer quotes with samples the arabic spring in africa and produces a revolutionary ground mood which has never been heard before. on b2 however there are the cheaperesque absurdities on the microfon like we know them. depositing skillfully their own vocals in the belly of a hungry electro monster.

the 2nd e.p taken from jon convexs debut >idoru< lp is a turn for the darker side than its predecessor. on these two limited 10 inch white vinyl plates, convex transports us into a cold and dystopian future.

the special edition lp on double 180 gram vinyl in gatefold cover.

first release on scottie deeps subsidiary of say ahh! - say deep records.
support from the likes of charles webster, jay tripwire, terry francis, dj w!ld, claude von stroke, tyler stadius, mark farina, the timewriter, dubfire, matthias tanzmann, chloe fabio monesi, jimpster, james johnston, mark knight, dam swindle, elef, samann, scottie deep and many more.

a new musical life-sign by our beloved stereociti from tokyo.after gracing us with his fabulous debut kawasaki, some fresh sonic pieces are about to rock your world! the opener dialog is a ten minute epic journey of finest deep house and is showing that stereociti is constantly improving his sound and taking it to the next level! the b-side brings us jellyfish a poetic house jam with some dark driving moods, which was recently released as a part of the japanese exclusive mix-cd called never trust a dj mixed by stereociti himself! the last track mosaic is a fantastic contemporary turn on jacking chicago house, so get your dancing shoes ready! available as limited 12inch with the unique mojuba sleeve-design.

as an increasing number of the british producers turn to techno as a source of inspiration, the gritty sound of the uk underground is easily obscured by the polished veneer of continental 4/4 music.
having taken his time to emerge from the shadows, paleman has constructed a musical voice for himself which turns this conundrum on its head by reimagining the skeletal drums and gutteral growls of early dubstep and speed garage as a style of uk techno all of his own. for this youngster, berlin is more of a startpoint than a destination. at only 19, he joins the ever growing base of manchester-based techno producers as the first signing to fulcrum records, a new label started in south manchester by friends sam schorb (aka damu) and adam rogerson.

coming back with a bang in 2012, craggz & parallel return with some eagerly anticipated new material in the form of the product placement ep. released on their own product imprint, it consists of two tracks that while different in style, still retain that certain kind of funk that has permeated through their music ever since those early releases on valve recordings right up to the guys most recent full length effort, the critically acclaimed turn the page lp.

the boys are back ... back with another banger too. definitely the best little label doing the rounds around these parts of late. viennas luv shack records continue with the good groove venturing once again into suspenseful house and disco.
this time the turn of lesale to pull out the big thick juicy drums and chunky basslines for which luv shack is making a very respectful name for itself. guaranteed heavyweight thump when you flop the needle to the left side every time with the luv shack.

limited edition reissue of this super-rare disco 12 inch featuring extended dancefloor-friendly versions of two superb afro and latin-flavoured tracks taken from john ozilas 1979 killer funk album >boogie salsa<. released on french label disques vogue, side a boasts the great brassy salsa-funk of >vamos a bailar< and dance you will to this infectious cha-cha-cha punctuated horn and electric guitar-driven funk classic - no wonder this is a big harvey play! turn over for the highly infectious afro groove of >funky boogie<. previously a fiercely-guarded record collectors secret, this blisteringly hot and energetic disco workout has recently gained a massive new wave of fans after the pilooski edit of it featured in a tv ad.

summer is here people and ovum recordings are about to kick start the season with yet another label debut from dirty channels & bugsy. and this time it already comes recommended. techno takes a back seat as the label continue their stunning run of house releases with alone. label chief josh wink had asked house don, dave pezzner if he had anything in the locker for ovum. having just completed his own rework of alone, he sent it across and within minutes the ovum crew had fallen for its charms. josh actually tweaked the original pezzner remix for his own sets and before long has snapped up the whole release for ovum. dirty channels team up with longtime friend bugsy on the deliciously smooth alone. with their warm bassline, velvety synth and the sultry vocals of amina, the trio have delivered the perfect summer soundtrack. with a brace of mixes from wink backed with a reworked and refreshed double from pezzner, ovum are ready to turn up the heat. enjoy!

the wind up of phillip lauers album debut phillips (still available in all formats including gatefold double vinyl) is in the hands of nyc remix/production outfit runaway and versatiles very own i:cube. runaway do their best to turn tentatious into one of those early morning deep house dubs that you could find on the b-side on vintage designer labels of their hometown. music for baby powdered wooden floors. i:cube does the opposite and manufactures a bumper car boogie beat that also works as a uk rave dub. he likes to move it. on the flip, lauer himself turns in the hidden album track boringtone - his very own secret ode to the café del mar - and the super exclusive smashing pumpkin that is highdimes 100percent overground melodies

this third outing expands further the mosso musical range, presenting alejandro mosso in some of his most rhythmic and yet, dreamiest atmospheres. unlike mosso002, which got the producer to hunt in his forgotten documents, both airs present on this record have been impetuously developed over the last few months. on the a-side, pleamar is a driving number which boots with a hypnotic metallophone pattern, slowly giving way into a electro (rga)nic piano fest, which in turn twists itself into bent, crushed and perverted synth whistles. this a-side has been designed keeping the lower half of the body in mind, offering full waves of joy and jubilation! now that you are grounded enough, how about flipping that record and meeting us on bajamar - low tide, litterally. on the shores of this b-side is where a wonderful landscape of shimmering spray and glistening stars await you. here again alejandros ability to bring together biotic and mechanic in a homogeneous unity is best revealed. in a magical tour de force, bajamar sends tingles from the base of your heels, up and all along your spine, into your crown, triggering instant wonder, reveries and realisations.

for the next outnl we prepared a package with 2 of our favorite artists of the moment. on the a side we have a track by glaswegian james johnston who has had an immense year with releases on labels such as fine art, under the shade and boogie originals. we are very pleased that james decided to release his deep burning that was now on outernational. on the b side we find ben la desh. who returns to outernerational with the breezy but ferm drug carrier. while his previous release doctor bills is still making its round through the clubs and podcasts. we are sure drug carrier will even turn more heads.

grey series, an offshot of the already well established m_rec ltd., aims at celebrating the reclusiveness of techno, its core ideas, its attitudes and its most recent mutations. traditions that while remaining, have allowed todays artists to conceive uncompromising and exciting sounds. its first release sees juho kahilainen explore dark and glacial territories. epilogue is the end of the darkest set, with its sinister piano moving slowly on a set of digital sounds meant to shut off any source of light.we heard it coming enhances stripped down techno with echoes of what seems to be field recordings from an unexplored locations.rotko dims the light down with its flirty, crepuscular details. acid and irresistible, its a trip that carries you on and on.the less we try takes a dramatic turn, where a beat that pays tribute to acid sounds encounter a martial soundwave and its tense and dooming melody. grey series is dedicated to everyone who lives techno today, who recognizes that theres a whole array of possibilities to explore, away from whatever the dancefloor requires.

double 10 inch release, pressed on transparent green vinyl.

so what is after the void ... we bang the bomb of course with a lady in a thong surrounded by snakes and hand grenades, obvious really! having been away for some time it appears that a light sounds dark spring is in the air. en route to their next destination (rumoured to be a dark subterranean world full of nasty mutants danger electrified tracks out this summer) with arms out the window and the mothership roof down, its full steam ahead and proper european dance music time. not really train spotting as before although a couple are a bit off piste like maltas very own ian dury by the name of iain richardson rapping about sitting on a green bus! much more like it however are classic italo covers of big in japan, gloria, a wonderful new wave version of falcos euro smash der kommissar and the thoughts massive german hit wait a long time sounding like some long lost talk talk record. light sounds dark do some minor tweaking (going for that natural look) to big beast anthems axodrys you and colme 111s you take me high (early euro take on chicago) and for lovers of something a bit more funky theres some groovy goings on from kraut funksters epsilon urging people to leave the city which might not be a bad idea if the water runs out.

supported by: lauhaus, boris werner, nick curly, federico molinari, kabale und liebe, nekes, johnny d, sascha dive, markus fix, dj wild, chriss carrier, ilario alicante, loco dice, mathias mayer, brothers vibe, karotte, tanzmann, matthias kaden, raresh, robert dietz, reboot, ray okpara

uh oh! here we have last years ridiculously massive backwoods tracks remixed by esp institutes bad boys. the stallions (lovefingers and lee douglas) take dj kents hit cloud nine to the church of rave to meet a dirty belfast gospel that will turn your trout-pout upside down and leave your feet bleeding. just try to find a room big enough to hold this 12 minute monster! on the flip, cos/mes tropify the backwoods album opener awakening in a stylee that has become their signature, lush and loopy. this is a special collaboration between tokyos ene records and esp... dont slee

fiakun comes back again, after having released el_txef_as debut album and having received good vibes, this time to present from the deepest of the basque country, the oren bi guys. they have signed this fiakun 006 which is received with much love. the pair of musicians and in turn we could say that music lovers, focused the ep on the hottest house with some r&b leanings. besides, they are making use of synthesizers like the most exclusive moog to delight us with some arpeggios that evoke a purer era. these two hits are accompanied with a remix by sergio santos.

complimenting the original version, playout have assembled an all-star cast of remixes to create one of the most essential releases youll hear this month. tigersushis joakim, new yorks com truise, and finally its the turn of the uks optimo, creating the perfect warehouse moment in the process.

continuing motechs 10 year celebrations and a kick-ass party at londos fabric last month, dj 3000 now presents 10 years of motech (the remixes) part 2 ep ahead of the full length remix cd due this summer. part 1 already saw both dj 3000 and sascha sonido take on gerald mitchells belly dancer from mt-008. now uk techno legend, mark broom takes a brief break from his beardman imprint to add this killer interpretation for an impressive opener. next up we turn to goodlifes kiko who doesnt disappoint with his driving new rendition of dj 3000s defiant (mt-015), toughening up the original but still maintaining its funk-fuelled roots. the rest of the ep features a remix a track taken from franki juncas 2011 album invisible moods. firstly,ill be around gets the remix treatment from detroits luke hess, whose releases have appeared on the likes of echocord, kontra-musik and the mighty planet-e delivers a moodier take on things, with deep pads and a grooving beat.

laurine frosts long overdue second ep for thema is upon us in all its dark, oblique splendor. 2009s thematique showed the mysterious hungarian producers deft sound design and uncanny programming married with a wide breadth of musical tastes and unpredictable choices of composition. it seems that these attribute have only sharpened and are now driving a much more groove-focused approach. so enjoy this, yet another left turn from thema. we are proud to bring you the best from those artists working beyond the well-worn paths of electronic dance music and we are glad laurine could come back to guide us just a little farther off that path.
pressing on transparent vinyl.

martin brodins second single from the forthcoming album which is due for june 2012. it follows the successful badabing which featured diskjokke as remixer. strings attack is all about the strings for disco. ok,now you may think he gone all cheesy here, but that’s totally wrong.it still have the funkyness and groove it needs to be a full-fledged disco anthem in our ears. and we invited two of the most prolific producers out there to make this a rock solid release. switzerlands finest, headman (robi insinna), who we all know from his own relish label and releases on gomma. he turn the original to an uber-cool bass-laden track and makes it a bit more in-your-face to speak, while the original is a bit more freestyle. second out is spanish born ilya santana with his funky mellow take. its a perfect remix for those beach parties we all love.

thinking too much/where the helios is juk juks second release on nommos. thinking too much is the most direct juk juk release so far. its peak time fare, aimed squarely at the dancefloor. the dreamy intro will fool the unsuspecting, sucking them in and propelling them on a tripped out ride on a techno ghost train, buffered by a cushion of warm throbbing bass. where the helios is the real dream side. a floating, hallucinogenic, spaced out drift, driven by a crisp, pared back rhythm and a gorgeous, woozy vocal- led melody. juk juks first release for nommos was unwrap/fall and before that his debut, winter turn spring/frozen, was put out by kieran (four tet) hebden on his highly regarded text label. all juk juks output to date has been critically acclaimed, coverage including fact magazine, pitchfork, mix mag, abeano, the fader amongst others. his releases have also received significant club and radio plays including mainstream radio 1 support from admirers giles peterson and rob da bank, who has promised support for this release. four tet said the room went off when playing thinking too much at a recent event.

deer ticks fourth record, divine providence. their first record recorded in the band’s hometown of providence, ri. 12 tracks showcasing the band in their most honest and straight-forward songwriting to date.
comes with code for free mp3-download of the full album.

marbert rocel spend most of their time looking out of the window and smoking. then they make music, someone draws for a while, and they soon go back to looking out of the window and making music. marbert rocel are twinkle-toed, and yet hardly tangible when you try to grasp them. they combine dance music with songs, songs with cookies and, in turn, cookies with dance music.therefore, marbert rocel spent a lot of time touring – playing gigs in germany, holland, italy, poland, indoors, outdoors, on the roof, in the cellar, in small groups, in front of many people, and in front of very many people.<it greatly influenced our music. this is the reason as to why we now make ballads at 130 bpm.< at a concert on enceladus in 2010, marbert rocel met martin kohlstedt. he seemed to fit perfectly to the band and behind the rhodes, thanks to his constant eight- armness and his tiger stripes.

this italian producer makes his mathematics debut with a truly stunning 3 track ep. les verres du bar is a 9+ minute tune that will quickly turn into an anthem for 2012 - a perfect blend of bangin, raw, & hypnotic vibes. less business is a dope slice of deep house & eternamente stays classy.

the pioneer producer of all things electro swing and balkan beats delivers his new song schlawiener: (dunkelbunt) takes the mic himself, rapping about vienna the way he sees it and his life as a traveller & jetlag junkie. this limited edition release (only 300 copies!) comes in white vinyl and includes a bonus cd. schlawiener is a cheeky play on words in german, translating roughly as a smooth operator / dodger living in vienna. someone you almost automatically turn into when moving from a hanseatic city (hamburg in this case) to the foothills of the balkans (and stay there for more than a decade).

vinyl lp with mo and the boys. amtys first and highly anticipated vinyl drop. liptones on vinyl gives a whole new fantastic sound.

this time plus 8 turn to spanish talent alberto pascual for their next four track outing.

spring has arrived. think daffodils, premature outdoor parties, ambitious bbqs and the new fina 007. continuing our trend for spotting emerging stars we have enlisted the talents of mannheim poacher turned gamekeeper, and air london starlet, steffen deux. after mixing the >5 years of 8 bit< compilation and appearing on cocoons party animals mix , steffen has demonstrated his ability to turn his loft club fame, into a reputation as a producer, not just a record maestro.

ponies from the silk stable turn >936< dub-a-dub lullaby groovers into full-on synth-sex, acid-bubble, twinkle-starshine dance ditties on this remix redux. ital, xander harris, innergaze, & cuticle, all weigh in.

funckarma goes in league with onionboy (darko esser), both delivering a track of their own, and a remix of each others. funckarmas rusty w is lush electronics and heavy dubstep at the same time, effective & abstract dancefloor artillery! onionboys remix is a 100% old school electro track, solid as a rock and reminding a bit of old rude66 and satamile tracks. onionboys kokon is an electronic beauty that keeps building up.. tick layers of nostalgic synths over firm beats... magical! funckarma turn this track inside out with their typical and complex idm beat structures that can only be done by the funcken minds. another uncatagorizable shipwrec release, limited to 300 copies, full colour artwork and a download code to redeam all audiotracks and artwork in digital format.

photek stands mercilessly on the edge. a sonic scientist, pushing both his sounds and fans expectations to the outermost limits since 1994, he floods the footnotes of electronica like mp3s clutter up your hard drive. 2011 saw him drop a series of sounds that reflect the truest perception of him. driven by his years of studio discipline, sharpened by an acute awareness that he will be received by the heads that know him well and ears that dont know him at all. destination tomorrow: photeks decorated past and diligent work ethic leads us here. the new music you have heard from photek in 2011 is yet another chapter in a life spent overdosing on sonic nuances and boundary testing. in the past 12 months his new material has been remixed by the brightestyoung stars of dance music - boddika, falty dl, addison groove and breach to name a few. in turn, photek has remixed for the likes of moby, jess mills, distance, ray lamontagne and was part of daft punks tron remixed package - for which he has been nominated for a grammy. his newly re-launched label, photek productions, has this year released the >avalanche ep< which garnered international support from tastemakers such as benji b, gilles peterson, skream, annie mac, zane lowe and more, and the >aviator ep<.
comes with code for free download of this release.

from the vibrant parisian house music scene of the 90s, ark already heralded the birth of our label, and pépé bradock remixed one of our most recent successes, nicolas jaar. now we turn to a man whose pure, simple approach to house music has influenced our most club-focused output. franck roger has been a great ambassador for the true meaning of french house music, from his own productions that stretch back more than ten years,through to his record label real tone. having started out producing direct, peak-time vocal cuts, francks dedication to his art has seen his music evolve across an ever-widening panorama of moods and feelings, sound sources and production methods

damn fine to dance to musical recording produced by garben eden from düsseldorf

next fresh fruits on the frucht label. here we go again with frucht 002 vinyl. once again labelheads coeter one and splatter picked some of their sweetest remixes. frucht stands for the young powerful generation of successful producers from all over the world. get fruity!

the 100th release is a massive milestone and we know everyone is waiting to hear exactly what we are going to be releasing and how we are going to do it so listen up, the basic plan is as follows: four digital and vinyl releases spanning a year, cat numbers will be 100.1, 100.2, 100.3, 100.4 coming out roughly every 3 months. now we are onto our second release after the massive croydon girl by chris liberator, sterling moss and rackitt on suf 100 part 1, this time its the turn of four of the most notorious 303 raiders ever to grace the control tower of acid techno. on the a side suf co head honcho aaron liberator teams up with legendary smitten, routemaster and raw records artist the geezer for a jollied up bit of acid naughtiness, a straight up homage to david carradine and anyone that likes to drive recklessly about killing anyone that gets in their way. yes this is the return of crash n burn on suf, a superb follow up to their big hit!

lcd soundsystem, esg, stephin merritt (the magnetic fields), peaches und debbie harry (blondie) - eine so illustre gästeliste kann wohl nur franz ferdinand vorweisen. die oben genannten künstler wurden vom schottischen quartett überzeugt, für die >covers ep< auf domino, ihre songs zu covern. die beeindruckenden ergebnisse reichen von postpunk bis hin zu krawall-elektro und sind äußerst hörenswert

pleasure has clearly been busy in the studio over the christmas period and he has a string of really strong releases that are now seeing the light of day. both >minute man< and >move easy< have been bouncing around on dubplate and now its your turn to have a piece of the action.

prinzhorn dance schools sophomore album, clay class, releases a quiet energy amongst a dark landscape, inarguably in tune with the downtrodden economic situations that have permeated modern life in the bands native britain, and conversely, along our shores. tobin prinz and suzi horn form a compelling duo whose shout-and-answer approach, paired with edgy and steady bass/drum patterns, achieves perfection in songs such as >seed, crop, harvest< and >your fire has gone out<. the album is constructed on the emblem of empty space, as songs such as >i want you< bridge the gap between musical minimalism and cold intimacy. the oscillation between starkness and warmth pays homage to the bands debut 2007 release, while also creating a modern, if not postmodern, musical snapshot of life across the pond, as well as in our own backyards.
includes full cd-version of this album.